Years ago, while teaching college courses in the History of American Musical Theatre, my research exposed numerous instances of innovation in the art form (“this was the first time…”) as theatrical technologies, along with musical styles and forms, evolved. I began to “collect” such phrases, which later included people, theatrical venues and other occasional oddities, into the collection and organized the data chronologically.
At this site, we focus on historical firsts. Innovation creates history, and this is a collection of innovative events, decisions and inventions. Among other things, the collection includes initial appearances of popular shows, songs and performers. Here, you’ll find descriptions of theatrical firsts in America from 1665 to 2000. Each “historical first” appears in bold type.
Generally, the New York opening is considered the finished form of any work (even if subsequent changes occur during the New York run). For the sake of maintaining some historical perspective, this site covers events through the 1999-2000 season.
Ongoing additions to the site include textual entries and pictures of people and theatrical venues. One project will soon offer links to audio files of songs in the public domain; other improvements may occur as they are invented or suggested.
We owe much to those who have assisted in the development and presentation of this material. Please see our “Cast & Crew” page. To everyone who appears there, I offer my deepest thanks.
Perhaps you will find something here that will initiate your own research. You might want to have an item considered for inclusion at the site (if so, please contact me). You might wish to correct an error that you find here (if so, by all means contact me). You may even find items that will pique your curiosity and motivate you to seek answers. We hope that this site will bring you closer to the theatrical art form that has proven time and again to be our most beloved: the musical.
Bobby Golibart
Gerald F. Muller, DMA
Alan Pickrell, Ph.D.
First On Stage
Thank you for visiting FirstOnStage.com, a web site that was literally decades in the making. We hope you find the information here useful in your classes, in your research or in exercising your intellectual curiosity.
If so, we hope you’ll make a donation to help support FirstOnStage. This information comes to you quickly and easily without the cost of expensive textbooks or hours of searching for the proverbial needle in the digital haystack.
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Thanks for your interest and your generous support!
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In July of 1973, A Chorus Line opened on Broadway. Conceived, choreographed and directed by Michael Bennett, other contributors included James Kirkwood and Nicholas Dante (libretto), popular composer Marvin Hamlisch (music) and Edward Kleban (lyrics). The show introduced two popular new songs: "One" and "What I Did For Love." During its long (over 6,000 performances) run, future star Karen Ziemba made her Broadway debut as a replacement player. A Chorus Line was nominated for ten Tony awards in 1976. It won nine of them, including Best Musical, and won the same award from the Drama Critics Circle and the Drama Desk. The show also won a Pulitzer Prize for Drama, and Theatre World awarded the entire cast a special award for ensemble performance.
A little different twist on the dance musical occurred with Contact, which opened in October of 1999. Three different stories were presented to pre-recorded music. The star was Boyd Gaines, who won a Tony award as Best Featured Actor in a Musical. Contact was nominated for six other Tony awards and won three of them: Best Musical, Best Featured Actress in a Musical (Karen Ziemba) and Best Choreography (Susan Stroman). The show ran for more than 1,000 performances. Susan Stroman choreographed and directed Contact and conceived it with librettist John Weidman. It was Stroman's first Broadway directing assignment, and she received a Tony nomination for her work. Contact also won the Outer Critics Circle award for Best Broadway Musical and the Drama Desk award for Best Musical.
Ladies and gentlemen, this first selection was randomly generated for your edification and delight!